Texas Gentlemen
As for how the Texas quintet manages to slide so seamlessly between various styles and sounds? Well, these are no ordinary Gents. Rather, the members—co-singers and frontmen Nik Lee and Daniel Creamer (who also handle guitar and keys, respectively); guitarist Ryan Ake; bassist Scott Edgar Lee, Jr.; and drummer Aaron Haynes (who since the recording has been replaced by Paul Grass)—have spent the last half-decade or so logging thousands of hours of stage and studio time behind a wide array of artists, from legends including Kris Kristofferson, George Strait and Joe Ely to young whippersnappers like Leon Bridges and Shakey Graves.
And while some people (okay, many people) have whispered in one another’s ears and written kind words about how this crack outfit of stage and studio aces is nothing less than the second coming of celebrated backing units like the Wrecking Crew, the Swampers and one-time Bob Dylan associates the Band, you certainly didn’t hear it from the Gents themselves. “We never instigated or condoned any of that,” Nik Lee says, and then lets out a self-effacing laugh. “We definitely appreciate the comparisons…we just don't think they’re accurate.”
And anyway, no matter how many artists they’ve played with onstage or in the studio—and trust us, there’s a whole lot of ‘em—they are, first and foremost, their own (gentle)men. “We’re a group of five, and when you hear us play you’re hearing the influence of five different musicians working together as one unit,” Daniel Creamer says. “Everyone has the freedom to suss out their parts and do the thing that fulfills their creative spirit, but at the same time there’s trust in one another to always be serving the song.”
And what songs they are. Floor It!!! follows the Texas Gentlemen’s 2018 debut, TX Jelly; but where that first record, cut in four days start to finish at Muscle Shoals’ iconic FAME Studios, was very much a snapshot of a quick moment in time, the new effort is a decidedly more composed and crafted affair. “The vibe of the first one was, ‘Let's just do this thing!’ ” Creamer says. “But this time it was like, ‘We have this idea about what we want to accomplish…’ ”
What they did accomplish is, to put it mildly, pretty impressive. While the Gentlemen’s sound is clearly steeped in the classic roots, rock and pop music of the ‘60s and ‘70s, there’s a dreamy (the lilting “Sing Me to Sleep”), spacey (“Skyway Streetcar”) and occasionally progressive (the groovy instrumental journey “Dark at the End of the Tunnel”) element to what they do that seems to detach the music from belonging to any particular place and time.
Add in elements of funk, soul, country, r&b, southern rock, gospel (“just about all of us played in churches early on,” Lee affirms) and essentially any other style that catches their musically omnivorous ears; an expansive and detailed approach to arrangement that sees the songs adorned with all manner of horns, strings and heavenly background vocals (cue up the positively gorgeous “Hard Road” for an almost religious experience); and a healthy dose of wit (there’s that song title, “Veal Cutlass,” again) and weirdness (the little lady on a jet, seated next to a military vet, who receives intel of impending nuclear doom on the Little Feat-meets-T. Rex-rocking title track), and you have a collection of tunes that is more than just a mere album. Rather, Floor It!!! is a rich and righteous ride.
And while that ride took decidedly longer to complete than the four days spent on the Gent’s first record—they recorded Floor It!!! primarily at EchoLab Studios in Denton, Texas, with producer Matt Pence, who Lee describes in no uncertain terms as a “wizard”—it was still a largely organic affair. “We all have pretty good grips on what we’re supposed to do, so a lot of it was tracked live in the studio, with as few overdubs as possible,” Lee says. “We like to have it where everybody’s just vibing together in one room.”