Event Details

Joe Nichols with Big Jordan at BARge295 in Seabrook, Texas

Joe Nichols with Big Jordan at BARge295 in Seabrook, Texas

DATE:
Saturday, October 26, 2024
TIME:
Doors | 4:30 PM
Showtime 5:30 PM
LOCATION:
BARge295
2613 1/2 Nasa Parkway
Seabrook, Texas 77586
About this Event:

Joe Nichols

October 26th - Doors at 5:00 - Big Jordan at 6:30 - Joe Nichols around 8:00 pm
  • $30 - Adv GA ($35 DoS)
  • $50 - Preferred seat 
  • $80 - VIP single seat
  • $320 - VIP Table of 4
  • $500 - Preferred Table of 10
The Longhorn Project, located at the NASA JSC, is a 501c3 nonprofit organization that provides hands-on learning experiences to inspire the next generation of leaders in agriculture and STEM. Since 2004 over 90,000 students have participated in the educational program. Together, we can make a difference and empower the youth to reach their full potential. Help keep the dream alive! To learn more or donate, visit thelonghornproject.com.
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Price: $30.00 - $80.00
Ticket Type Price Quantity
Admission $50.00 - $80.00 Pick Seats
Advance GA $30.00
JOE NICHOLS
Joe Nichols has been a mainstay of country music for two decades, bridging the gap between the genre’s old-school roots and contemporary era. He’s a 21st century traditionalist — an artist who’s both timely and timeless, racking up a half-dozen Number 1 singles and ten Top 10 hits with a sound that honors his heroes. From his first radio smash, 2002’s “The Impossible,” to 2021’s Home Run,” Nichols has proudly done things his own way, blurring the boundaries between country music’s past and present along the way.

It’s an approach that has earned Nichols multi-platinum success, three Grammy nominations, a CMA award, an ACM trophy, and — perhaps most importantly — the support of his idols. He still remembers the day he received a letter from Buck Owens, who passed away the same week his message arrived in Nichols’ mailbox. The two had previously crossed paths in Bakersfield, California, where Owens complimented Nichols on his classic sound… and gave him some good-natured teasing about the length of his hair.

“He wrote me the day before he died,” remembers Nichols, who was still riding high on the success of his gold-selling fourth album, III, and its chart-topping single “Tequila Makes Her Clothes Fall Off.” “It was so nice of him to do that. He said, ‘I’m really proud of you. I love the way you’re keeping it country. And thank you for cutting that daggum hair!’ An honor like that is irreplaceable. It’s got nothing to do with winning awards or having your songs on the radio. It’s much more than that. It’s the kind of thing you pass down to your grandkids.”

For Nichols — an Arkansas native who grew up listening to icons like George Strait, Merle Haggard, George Jones, and Buck Owens — keeping things country has been a lifelong mission. He made his major-label debut with 2002’s Man With A Memory, a platinum-selling album rooted in southern storytelling and honky-tonk hooks, then continued blending the worlds of neo-traditionalist country and modern twang with follow-up records like Real Things, Crickets, and It Never Gets Old. Between duetting with Dolly Parton on “If I Were a Carpenter,” serving as Garth Brooks’ hand-picked opening act, and numerous other career milestones, Nichols also kept things lighthearted, showcasing his easy-going humor with “Tequila Makes Her Clothes Fall Off” and a slow, shuffling cover of Six Mix-a-Lot’s “Baby Got Back.” At the core of his sound, though, remained a serious commitment to a bigger goal: making genuine country music that nodded to his influences while still breaking new ground.

“It’s a fine line to walk,” he admits. “How do you stay fresh while also honoring your roots? I’ve always admired people like Merle Haggard and Buck Owens, who built their careers on timeless songs and created their own sound by electrifying traditional country music. It’s one thing to have hit songs, but it’s something else entirely to have hits that still sound timeless 15 years later. That’s always been my goal. I’m a country singer who loves the old-school stuff. I throw it back and pay homage to the guys I grew up listening to, while hopefully bringing that sound into the modern world.”