LIKE MANY OF HIS WEST TEXAS CONTEMPORARIES, DANIEL MARKHAM HAS OFTEN BEEN ABLE TO TAP INTO THE ISOLATING, YET CALM LONESOMENESS  OF THE PANHANDLE.

Whether it be Thrift Store Cowboys and Amanda Shires of the last decade, Terry Allen and The Flatlanders of the late ’70s, or Buddy Holly and Wink-native Roy Orbison of the late ’50s, they all the ability to capture the parting winds of the flatlands and the blistering sun of the West Texas deserts. It was engrained in their sound–becoming signature for each in their own shades.

The now Denton-based Markham, a decade in as a songwriter and musician, presents his third solo full-length album, Disintegrator. Third. In ways, that’s a misleading description. In reality, it marks his 12th release–following Waiting to Derail’s self-titled, One Wolf’s One Wolf I and One Wolf II: Secret of the Wolf, Larry Legion and Forest of Swords under the Larry Legion persona, solo works Demonstrations, Hexagons, Ruined My Life, Pretty Bitchin’, and the collaborative efforts of Smoke Paint with Tony Ferraro and Harmony in Hell with Claire Morales.